Ken Pillonel takes consumer satisfaction a little too seriously. Famous for hacking previous versions of the AirPods to give them USB-C ports and make them more repairable, Pillonel has now turned his sights to the AirPods Max (which hasn’t received an update in over 3 years, as he points out). The regular AirPods and even the iPhone have both made a concerted shift to USB-C, but Apple surprisingly forgot to upgrade their flagship headphones, leaving it in the lightning era.

No stranger to hacking (ahem, upgrading) Apple’s accessories, Pillonel decided to build a USB-C AirPod Max before Apple did. The video above takes us through the journey, showing how Pillonel disassembled the existing AirPods Max, designed a new PCB with a USB-C port, and mounted it (with relative ease) in the headphones, giving them the upgrade they severely needed. The best part, Pillonel even sells his PCBs on his own website, encouraging other people to hack their AirPods Max too and upgrade them to USB-C.

Designer: Ken Pillonel

The AirPods Max debuted in December 2020, which means they’re one of the only mainstream Apple products to not have received a major upgrade in years (they were announced even before the AirTag). Realizing that now was a better time than ever, Pillonel decided to take his AirPods Max for a spin, cracking them open to see the assembly inside and whether it would be easy to upgrade it. Luckily, the lightning port was relatively easy to upgrade without any invasive procedures to the headphone’s body itself. Apple designed the port with a removable metal lip that allowed it to magically become wider (it’s almost as if Apple was preparing for this transition in advance), and knocking the lip out made the hole perfectly sized for a USB-C port.

Pillonel simply unplugged the lightning connector from the existing motherboard and designed a new one that housed the USB-C port. He shared the new PCB design on PCBWay, and had the circuit boards sent to him. An older iteration featured a single-piece PCB that worked, but was susceptible to wear and tear, so Ken redesigned the PCB with a flexible ribbon cable, allowing it to bend without applying pressure on certain parts. The new PCB is available in Pillonel’s shop for 39.9 CHF ($45.3 USD).

The older PCB was prone to wear and tear if used roughly

A flexible ribbon cable on the new PCB made it much more resistant to regular daily usage

The upgraded AirPods Max (Pillonel calls it the AirPods Max 2.0) only has the one design upgrade, although knowing Pillonel, he’ll soon make the entire thing repairable and probably even figure out how to replace batteries on them. You can visit his YouTube channel here, or read our coverage on his other interesting projects here.

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Once upon a time, music was played to be enjoyed by an audience. While that still happens today, most of the time we have become enclosed in our own little audio bubble thanks to smartphones. Earphones and earbuds keep the music to our ears, and smartphone speakers can’t get too loud without losing the music’s quality and clarity. Even worse, the venerable headphone jack that audiophiles use and love has been banished from mobile devices. In an effort to bring back that social listening experience, nubia is launching what could be its most distinctive smartphone yet, one that is a clear ode to a golden age of music that brings together features and design elements that will let you share your favorite tunes with ease.

Designer: Nubia

There may be no room for a thick 3.5mm port inside extremely thin phones, but what if thinness was never a problem in the first place? Aiming for a different priority, the nubia Music doesn’t just bring back the headphone jack but actually adds an extra one. Yes, there are two headphone jacks on this phone, and it’s a clear indication that this device is meant for listening to music. In fact, it’s designed to let you share that music with another person, a friend or a partner perhaps, provided they also have wired earphones.

There might be times you’ll want or even need to play music that everyone can hear. That’s where the nubia Music’s ultra-loud speaker comes in, promising 600% more volume without the distortion. That’s already a huge improvement over your typical smartphone loudspeaker, but what’s even more interesting about it is the way it’s added to the phone’s design.

As if dual headphone jacks weren’t odd enough, the nubia Music even has that ultra-loud speaker on its back. But rather than just simply slapping it on like what some other rugged phone manufacturer did, nubia opted to add a charming design to this unusual feature. The circular speaker and the two cameras are set opposite each other on a raised rectangle, recreating the appearance of a turntable that music lovers will be able to immediately identify. It’s a very nice touch that should tickle the hearts of audiophiles of all ages.

The entire phone is designed with that vibrant, lively, and youthful character, presenting a device that loves to party as much as you do. With mid-range specs and a price tag that starts at only $149, it is clearly targeting a younger crowd, though any music lover will surely find the nubia Music something worth looking at and, of course, listening to.

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There are plenty of art installations set up around the world, but the majority of them have a “look but don’t touch” policy. After all, “art” is expected to be mostly visual and the risk of damaging a precious, one-of-a-kind masterpiece is just too high. There are, however, other art forms that require your other senses to truly have a complete experience, sometimes involving not just touch but even hearing as well. This sculptural instrument, for example, invites people to dip their hands into glowing drums of water to create a hypnotic audiovisual experience intended to raise their consciousness to higher levels.

Designer: Artur Weber

Inner Waves look nothing like any musical instrument you can think of, except probably for a drum set with too many drums arranged in an almost random fashion around the largest circle in the middle. Like their namesake, though, these are actually small container drums that can hold liquid, in this case, water. Unlike your typical water drum, however, these cylinders have a faint glow on the outside that contrasts with the darkness they hold inside.

As captivating as these eerie glowing drums might be, they’re not designed just for your eyes. After all, you can’t even appreciate the water they hold in the darkness, and so you have to make that leap of faith and plunge your hand or even just a finger inside that darkness. This act rewards you with a brighter light and an ethereal sound that is reminiscent of the tones produced by a theremin. It is also similar to the sound you make when you dip your finger inside a glass of water and then run your fingertip around the mouth of the glass.

This alien sculptural instrument is advertised to link the water inside the viewer’s body with the water within the vessel, a statement that almost has a transcendental message to it. Technically speaking, it most likely uses the vibrations caused by ripples in order to trigger the mechanism that increases the light’s intensity and produces sound. Of course, your brain might not immediately make that connection, making you think that it is indeed your body’s agency that is creating this effect. Either way, the audiovisual art installation has the intended effect of putting your mind in a more meditative state, perhaps contemplating the deeper meaning behind this intersection of art and technology.

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In the dynamic world of sustainable design, Jonas Edvard stands out with his innovative approach to integrating organic materials into functional and aesthetically pleasing objects. His latest creation, the Myx Sail / Floor, unveiled at the Mindcraft Project 2023, is a sound-absorbing panel that showcases the remarkable properties of mushroom mycelium, hemp, and willow. This 1m x 1m panel not only exemplifies the structural possibilities of composite biomaterials but also represents Edvard’s commitment to responsible design practices.

Designer: Jonas Edvard

The Myx Sail / Floor project is a testament to Jonas Edvard’s dedication to exploring the symbiotic relationship between design choices and their impact on nature. Collaborating with a living material – mushroom mycelium – throughout the design and production process, Edvard creates a flexible room divider within a pre-designed mold. As the mycelium gradually grows and bonds with a plant fiber mixture, the panel takes shape, marrying flexibility with rigidity.

The designer draws inspiration from the natural role of mushrooms as recycling agents, breaking down plant matter into soil. His design philosophy revolves around a deep respect for nature, evident in his exploration of the intricate relationship between raw materials and human life. The Myx Sail / Floor prototype serves as a modular design that aims to emphasize how organic materials like mycelium can seamlessly integrate into our living and working spaces.

Jonas Edvard’s broader research study, conducted in collaboration with Arup Engineers in Germany, delves into the sound-absorbing qualities of mycelium. The panels are meticulously designed to absorb frequencies between 200 and 2500 Hz – the standard range of human conversation and interaction (same as glass wool). Edvard envisions the potential for natural, organic materials to become integral components of our buildings and interior architecture, contributing to a more sustainable life cycle.

The design philosophy revolves around responsible design choices and their impact on nature. His open-minded approach to design leads to experiments that yield new materials and objects from local or organic sources, often embracing a circular and sustainable ethos. In his testing phase, Edvard explores various material combinations to understand the design, appearance, and functionality of mycelium-based sound-absorbing material.

The Myx Sail / Floor sound-absorbing panel invites people to touch and feel the natural qualities of mushroom mycelium, hemp, and willow. Edvard aims to create an immersive experience, allowing individuals to sense the porous, lightweight, and stiff characteristics of the materials. By reshaping these materials into functional forms, he hopes to spark conversations about the value and aesthetics of natural origins, encouraging a new understanding of how these materials can be incorporated into our homes and living areas. Now the acoustic installation won’t just be on the walls and ceilings conventionally, but the floors too!

The Myx Sail / Floor is more than just a sound-absorbing panel – it is a tangible embodiment of sustainable design principles and a testament to the possibilities that arise when designers collaborate with nature. As Edvard continues to push the boundaries of material innovation, his work inspires the integration of organic, natural materials into our built environment, fostering a harmonious relationship between design and the natural world.

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AI has become a powerful and controversial tool that’s being applied to the creation of many things in different industries. The most well-known are, of course, images and text, but these same technologies can also be applied to other fields, even ones that are considered to require more human creativity than others. Music, for example, is believed to be an art that’s hard to master and difficult to quantify in a way that would be of use to AI, but that’s exactly what’s happening here with this “artifact from the future.” That said, the suitcase-sized synthesizer doesn’t completely wrest the act of creation away from your hands but turns it into a creative collaboration between man and machine.

Designer: Arvind Sanjeev

Imagine having to only press a few buttons and you’ll have tunes that are specifically crafted to suit a given mood or genre. Most synthesizers simply give you the raw controls to mix and match to your heart’s content, but you’ll have to draw from your own creativity to actually come up with a pleasing harmony tailored to fit that situation. SPIN, the name for this AI-powered music synthesizer, actually helps you in this creative journey by serving ready-made ingredients to put into your mix without taking anything away from your freedom. It’s like the difference between buying a can of tomato sauce for a recipe versus making your own from scratch.

SPIN has buttons for different moods, genres, and sounds that you can mix and match to your heart’s content. How does happy death-metal disco sound? Why not try some dark jazz opera to really turn heads? Not every combination is going to work, of course, so you’ll still have to step in and fine-tune it to your tastes, no pun intended. And with sliders for BPM or duration and a turntable to scratch, you also have the tools to make your own style shine, with or without AI’s help.

The synth is just as much a work of art as it is a demonstration of the power of AI. A variety of off-the-shelf components are assembled to provide the brains and muscle behind the scenes, almost literally. You won’t see any of these while using SPIN, as all are hidden behind an interface and a design that’s meant to encourage playfulness and experimentation. Even the choice of bright yellow and white colors, unusual for most synth designs, emphasizes that rather jovial character.

Generative AI has been receiving a lot of flak, in no small part thanks to abuse and misuse of the technology rather than anything inherent. SPIN is an attempt to reverse that perception and present AI not only as something approachable but even fun to use. Given how it works, you won’t even have to worry about infringing on anyone’s copyright or intellectual property, leaving you free to explore that harmony between human creativity and machine learning.

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Nobody has destroyed, rebuilt, and reimagined the notion of synthesizers as much as Love Hultén. The maverick synth-maker is credited with designing some of the most incredible-looking electronic music machines out there (we’ve covered a fair few), from synths and loopers to modular electro units and even some record players and arcade games on the side. The Sweden-based music aficionado and synth-builder kicked off 2024 with a new project in collaboration with ‘catbeats’. Although this particular device doesn’t have a name yet, Hultén mentioned that it’s a unique-looking MIDI guitar that has a NESpoly synth on the inside, and a detachable fretboard that makes the entire apparatus easy to travel with.

Designer: Love Hultén

The unconventional design of the MIDI instrument is just about as much of a hat top to a guitar as possible. It does have a fretboard that triggers notes, and a dedicated strumming section for chords and such, but you’ve also got a variety of knobs and buttons that loop, modulate, play/pause, and increase/decrease the gain of what you’re playing.

The entire design can be disassembled for travel, and features a few quirky details made specifically for the user. Given catbeats’ obsession with felines, the guitar has a cat avatar in the bottom corner underneath a removable clear dome. Reminiscent of those cat backpacks that have the pet behind a clear plastic structure, the dome can be removed to access the tiny avatar underneath, and the avatar is made to be replaceable too, allowing you to swap out cats based on mood. Hultén also details that the guitar’s strap is made from ‘extraterrestrial skin’, although that’s just fancy wording given that the strap’s crafted from a clear flexible plastic sheet (or maybe aliens have better skincare than I do)…

MIDI guitars are unusual to come by, although if I did expect them, it would probably be from Hultén. The Gothenburg-based artist has worked on some rather unique and inspiring electronic products, from a circular Game Boy to a synth made from plastic dentures. Sure, this guitar doesn’t feature too high on Hultén’s weirdness scale, but it’s a remarkable representation of how his brain works.

Close-up view of the avatar area and the removable plastic dome.

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Sleekness was never really a consideration back in the 50s and 60s when vinyl discs were still popular… which is why turntables and vinyl players never really explored thin-ness as a design aesthetic. The most any company ever did was integrate minimalism into their design language (a la Braun), but products weren’t generally designed to be razor thin. Which is why the BÖNWERK Turntable feels so visually exciting – it brings a novel design direction to an otherwise aged product category. Trends (whether fashion or tech) are always cyclical, and vinyls have been gaining popularity over the last few years… but traditional vinyl players don’t live up to the design sensibilities of today. The BÖNWERK Turntable is a gorgeous concept that boasts the same wedge-shaped design detail popularized by the MacBook Air. The rotating disc sits on a razor-thin platform, which gradually becomes thicker near the turntable’s control panel, creating an overall aesthetic that’s practically invisible, but emotionally impactful.

Designers: Mateo Rombolá & Tobias Quirici

“The primary goal of this project was to create a cutting-edge and sophisticated turntable tailored specifically for expert users in the audiophile world,” said designer-duo Mateo Rombolá and Tobias Quirici. “Our focus centered on prioritizing user semantics and experience, elevating these aspects above mere functional distinctions.”

Functionally, the BÖNWERK Turntable isn’t too different from the ones you’d otherwise find on the market. It has the tonearm with a cartridge and needle on one end, and a counterweight on the other. The tonearm sits at the center, with the rotating disc platform on one side, and a control panel on the other with a strobe light, RPM controller, volume knob, highs and lows control, and a start/stop button.

Flip the BÖNWERK Turntable over and you see its actual mass, which hides underneath a super-sleek exterior. Almost mirroring the design of the MacBook Air (or even older iPhones, which used to hide the camera bump in the side-view photos), the mass hides itself well thanks to a slick outer profile that your eyes see (instead of the volume underneath). This makes the BÖNWERK Turntable look MUCH thinner than it already is, which adds to its appeal. The appeal also extends to the minimal visual language used in the rest of the turntable’s design, from the use of plain black and metallic hues, sharp geometric shapes, knurled metal knobs, and the palpable absence of any text, giving the turntable its signature clean look.

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When you think of musical instruments, you will probably first think of things like pianos and guitars. Electronic musical instruments, on the other hand, conjure up images of keyboards, electric guitars, and complicated synthesizers. Suzuki’s Omnichord, on the other hand, is an odd yet curious duck that stands somewhere in between these two extremes. First launched in 1981, this electronic device empowered anyone to make music or accompany a song even without previous musical experience or even reading notes. The Omnichord’s distinctive electronic sounds and novel design made it quite a hit, but the product faded into obscurity back in 1996. To commemorate its upcoming 40th anniversary, Suzuki decided to give today’s generation a taste of that unique experience with a new model that recreates the original so faithfully down to using the same analog circuits.

Designer: Suzuki

Imagine just pressing a few buttons and sliding your finger on a flat surface and then suddenly producing wonderful music. That’s pretty much the experience that the Suzuki Omnichord offered, presenting people, whether musically trained or not, the joys of creating music with ease and freedom. There are no wrong notes, just new harmonies and beats to be discovered and incorporated into your masterpiece. It’s like an adventure for novices but also a new territory for veterans who want to add a unique flavor to their music.

The new Suzuki Omnichord OM-108 tries to bring that 80s experience to the 21st century, reproducing the tonality that characterized that period while also adding modern features that cater to today’s more demanding audience. To accurately recreate the same tones of the OM-84, perhaps the most popular Omnichord ever released, Suzuki opted to go completely old school and apply the same analog circuitry that gave the original its distinctive electronic sounds. It also has that popular harp sensor or strumplate that lets you easily slide or tap your finger to produce the “notes” that will make up your music.

The new OM-108 model boasts 108 chords, hence the name, as well as many new functions, like a switch that changes the way chords and rhythms are played. There’s also a drum pad mode that turns the chord keys as well as the sturmplate itself into beats. And like with many modern electronic musical instruments, you can connect the Omnichord to external MIDI devices to mix tones to your heart’s delight. Plus, the built-in speaker can be turned on or off when you connect an external speaker, useful when you want to monitor your own sound during a live performance.

The Suzuki Omnichord OM-108 may look like a toy, but the unique sounds it lets you produce are pure joy, at least to fans of the electronica genre. Its revival coincides with the retro craze gripping many industries and is a perfect example of a design that manages to remain relevant decades after its last appearance. That said, you’ll have to wait a bit before you can get your hands on the newest Omnichord, as sales aren’t expected to start until July, with the price and market availability still unknown.

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It’s thinner than a Harry Potter or Game of Thrones novel… if we’re still using those benchmarks to compare things these days.

At NAMM 2024, Eminent Technology recently debuted the Model Twenty Two, a groundbreaking flat-panel active guitar speaker, marking a significant advancement from its predecessor, the Model Twenty. This new model is distinguished by its compact size, measuring 16 x 22 inches, boasting a thickness of just under 5 inches, and a lightweight design at just 16.5 pounds, making it highly portable for musicians on the go. It’s not just its slim profile that’s impressive; the Model Twenty Two boasts a powerful 350-watt built-in amplifier, capable of catering to a variety of audio sources like guitars, vocals, and keyboards.

Designer: Eminent Technology

This innovative speaker combines the functionalities of an amplifier and speaker in one sleek package. It is equipped with a full-range, flat response (FRFR) speaker capability, allowing it to handle different guitar amp modeling units and even serve as a small PA system with an output of up to 120 decibels. For added versatility, it includes a high-headroom clean preamp and a cab voice, suitable for both acoustic and electric guitars, as well as for use with external amp models. You can even run vocals, keyboards, or a CD player through it, effectively treating it like a super-sleek PA system that outputs up to an impressive 120 decibels.

Despite its high-end features, the Model Twenty Two is more affordable than its predecessor, priced at $1,699. That may be a lot, but think of how easy it is to carry around!

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Louis Vuitton has a habit of redefining the wheel with luxury. Case in point the LV Nanogram Speaker that refines opulence and quality for the seekers on the horizon of portable music and fashion accessory. Designed to take “beauty and sound to destinations unknown” the compact and lightweight LV speaker is a portable successor to the LV Horizon model.

As a premium tech offering, Masion’s creation embodies craftsmanship and quality in an on-the-go fashion accessory that resembles a tiny UFO measuring 13.5 cm across and tipping the scale at 520g. The hefty speaker is made from aluminum but with the embedded leather loop with a removable hook, the LV Nanogram Speaker, becomes a portable and travel-friendly option.

Designer: Louis Vuitton

The first thing you would notice on the speaker will either be the perforated grille or the debossed Monogram, depending on what your perception is. For me, the LV Nanogram Speaker with emblematic codes all over, is a premium speaker and so I see the grille before the logo, but you could have a different opinion.

The impressive design of the LV Nanogram is inspired by the LV’s circular Toupie bag. And in a similar theme, the leather loop and hook can allow the speaker to hang from the backpack, handbag, or just from the belt, if you don’t mind an additional pound on it. If you don’t mind the weight, then the LV speaker can give you a 2.3-inch loudspeaker with a frequency range of 170 Hz to 20 kHz anywhere, anytime.

While the speaker looks all decked up and sublime for indoor usage, it assures it won’t leave you wanting in the outdoors either, for this it boasts a long 17 hours of battery life. The speaker comes with a USB-C charger in the box which can juice up the battery in under two hours. The charging port is the on back of the speaker, hidden away from the plush façade.

Portability demands ruggedness we all know. LV is not known essentially for delivering heirloom speakers in the outdoor division; but adding substance to the design, LV Nanogram Speaker is provided with IP67 rated for protection against dust and water. Priced at $2,230 LV Nanogram comes in three colors: copper, silver, and a “Damoflage” edition. Irrespective of the color, each speaker is available with monogramming all over. The speaker can (courtesy of its built-in LEDs) create a light show that synchronizes with the music you are playing. And when you’re done, you can safely pack the speaker in its travel pouch and get going.

https://www.youtube.com/watch?v=P2BwkJuHa68

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